Liber
DCCCXIII[1]
vel Ararita
Sub
Figura DLXX[2]
Commented
in Classes B & C
by
Frater
Apollonius
A\A\
Apollonius’ comments in
blue-italic.
Crowley’s
comments in red-bold.
The use of this Name and Formula is to
equate and identify every idea with its opposite; thus being released from the
obsession of thinking any one of them as ‘true’ (and therefore binding); one
can withdraw oneself from the whole sphere of the Ruach.
Contrast each verse of Cap. I with the corresponding verse of Cap. II for
the first of these methods. Thus in
Cap. III (still verse by verse correspondence) the Quintessence of the ideas is
extracted; and in Cap. IV they are withdrawn each one into the one beyond it.
In Cap. V they have disappeared into the Method itself.
In Cap. VI they reappear in the Form appointed by the Will of the Adept.
Lastly, in Cap. VII they are dissolved, one into the next until all
finally disappear in the Fire Qadosh, the Quintessence of Reality.
I
A
The
first part of the methodology for withdrawing oneself from the whole sphere of
the Ruach is found in contrasting the verses of chapter I and chapter II.
Each idea has its opposite; each being just an idea.
And ideas are but our own projections onto the Universe.
418
Made up of 1 and 0
planets, Gods, vision of Nature.
The
Great Work is of the Man and the God united; the planets Saturn and the Earth
each providing a key to the secrets of Nature.
0. O my God! One is Thy Beginning! One is Thy Spirit, and Thy Permutation One!
0. Now then I saw these things averse and
evil; and they were not, even as Thou art Not.
The
contrast for these two verses is between one and none; AL:I.48 comes readily to
mind:
"My prophet is a fool with his one, one, one; are not they the Ox, and
none by the Book?"
Part
of Crowley’s commentary to this verse also echoes the mark:
I note
later (An V, Sol in Aquarius) that v. 48 means that all disappears when 61 +
8, 80, 418, are reduced to 1. And
this may indicate some practical mystic method of annihilation…I think that
the surface meaning of this verse is to answer the unspoken criticism of the
scribe, who did not see how to find a zero value for such an equation.
It assured him that it was only necessary to find a Unity Value.
Indeed,
even Motta’s comment to this verse adds insight to the two compared verses of
813:
Crowley,
who knew the attributions of AIN, and its mystical meaning, had become troubled
since the dictation of verse 45. “But
are not the Perfect, all of them, just One?” he kept asking mentally as
dictations went on. Finally Aiwass
incorporates his doubt in the Text, answering it out loud, and speaking for the
Goddess.
The
key is, of course, that Monotheism is a lie.
Belief in the Oneness of Man is a great comfort to the Ego.
“I am the One!” cries every ‘Black Brother’.
The Master of the Temple answers not, for He is Not.
The
Ox—Aleph is the Ox, of course, 1 by the Qabalah and Zero by the Book of Thoth,
the Taro. Also, Aleph in
full—ALP—is 111, “one, one, one”. It
is also indicative that the two letters of OX in English suggest the Cross and
the Circle.
1. Let me extol Thy perfections before men.
1.
I saw the twin heads that ever battle against one another, so that all their
thought is a confusion.
I saw Thee in these.
Perfection
is in right relation is of the ‘one’ as the duality engenders a confusion
that sparks a battle between relations. Duality
sets up the world of contending forces and this chapter is of the world as
nature.
2. In the Image of a Sixfold Star that flameth across the Vault inane, let me re-veil Thy
perfections.
2. I saw the darkeners of wisdom, like
black apes chattering vile nonsense. I saw Thee in these.
Veiling
perfection vs. darkening wisdom; one protects, the other destroys.
The “Vault inane” is the sky of the Starry Gnosis with its principle
luminary, the Sun being the Sixfold Star…Hadit.
We are all gods of light, though in contrast the “black
apes” darken wisdom with ignorance; incapable of veiling light, though
it is already veiled within them…that “I saw Thee in these.”
3. Thou hast appeared unto me as an aged God, a venerable God, the Lord of Time,
bearing a sharp sickle.
3. I saw the devouring mothers of Hell,
that eat up their children O ye that are without
understanding!
I saw Thee in these.
Saturn,
a male god vs. female vampires. Saturn
is the most ancient of gods; wisdom is implied with age.
And yet there is no “understanding” in the latter verse; the
“mothers of Hell” depriving their children (youth) of time by eating them.
4. Thou hast
appeared unto me as a jocund and ruddy God, full of Majesty,
a King, a Father in his
prime. Thou didst bear the sceptre of the Universe, crowned
with the Wheel of the Spirit.
4. I saw the merciless and the unmajestic
like harpies tearing their foul food. I saw Thee in these.
A
kingly “Father in his prime” vs. an implied carcass for vultures to pick at;
“Majesty” vs. “the merciless and unmajestic.”
The god appears in the former verse, and is not necessarily present in
the latter.
5. Thou hast appeared unto me with sword and spear, a warrior God in flaming armour
among Thine horsemen.
5. I saw the burning ones, giants like
volcanoes belching out the black vomit of fire and smoke in
their
fury. I saw Thee in these.
The fire of Spirit vs. the burning
flames of hell; the dual nature of fire being that which creates life and that
which destroys life. Also, fire
isn’t readily present in the latter verse, but its smoke and fumes.
6. Thou hast appeared unto me as a young and brilliant God, a god of music and beauty,
even as a young god in his strength, playing
upon the lyre.
6. I saw the petty, the quarrelsome, the
selfish, they were like men, O Lord, they were even like
unto men. I saw Thee in these.
Divinity
vs. bestiality; the young god in the former displaying virtue with strength and
acculturation and the old men, both quarrelsome and selfish “were even like
unto men” and not gods at all.
7. Thou hast appeared unto me as the white foam of
Ocean gathered into limbs whiter
than the foam, the limbs of a miracle of women, as a goddess of extreme love, bearing
the girdle of gold.
7. I saw the ravens of death, that flew
with hoarse cries upon the carrion earth. I saw Thee in these.
Life
vs. death; the goddess fructifies the currents of life as the ravens feed on the
carrion of death. Note the waters of
the former verse suggest spirit as the carrion are material and of the Earth.
8. Thou hast appeared to me as a young boy mischievous and lovely, with Thy winged
globe and its serpents set upon a staff.
8. I saw the lying spirits like frogs upon
the earth, and upon the water, and upon the treacherous
metal that corrodeth all things and abideth
not. I saw Thee in these.
Mischief
vs. treachery; an implication of the innocence of youth vs. the experience of
age. The “serpents set upon a
staff” represent Spirit vs. frogs on the mundane Earth and the
false
god that is the heaviness of the egregore, Jesus.
Crowley created a ceremony of crucifying a frog to overturn the slave
god’s reign and bring the return of Life, Love, Liberty and Light.
9. Thou hast appeared to me as an huntress among Thy dogs, as a goddess virginal
chaste, as a moon among the faded oaks of
the wood of years.
9.
I saw the obscene ones, bull-men linked in the abyss of putrefaction, that
gnawed each other's
tongues for pain. I saw Thee in these.
Above
the ground is the dance of life; below the ground, the putrefaction and death.
That which is chaste in the former verse is contrasted with the obscene
in the latter verse. The huntress
(Venus; ruler of Taurus) would be Taurus (the bull) contrasted with the
“bull-men” of the latter verse.
10. But I was deceived by none of these. All these I cast aside, crying: Begone! So that
all these faded from my vision.
10. I saw the Woman. O my God, I beheld
the image thereof, even as a lovely shape that
Concealeth a black monkey, even as a figure
that draweth with her hands small images of men
down into hell. I saw her from the head to
the navel a woman, from the navel to the feet of her
a
man. I saw Thee even in her.
In
the former verse, there is no vision and in the latter, the vision is described
in detail. The vision in the latter
has its own dual nature; a woman that is half man at the conclusion of the
vision.
11. Also I welded together the Flaming Star and the Sixfold Star in the forge of my soul,
and behold! a new star 418 that is above all
these.
11. For mine was the keyword to the Closed
Palace 418 and mine the reins of the Chariot of the
Sphinxes, black and white. But I was
not deceived by anything of all these things.
The
flaming star is the star of five, per Crowley’s commentary at the top of this
verse; to be combined with the star of six and all above the Abyss where there
is no self. In the former verse, the
Tree-of-Life, and the latter verse describes the Qliphoth as the “Closed
Palace” and “mine” or the self that is.
12. Yet even
so was I not deceived; for the crown hath twelve rays.
12. For I expanded it by my subtlety into
Twelve Rays of the Crown.
13. And these twelve rays are one.
II
R
Qliphoth
Closed palace. Key word
0. Now then I
saw these things averse and evil; and they were not, even as Thou art Not.
1. I saw the twin heads that ever battle against one another, so that all their
thought is a
confusion. I saw Thee in these.
2. I saw the darkeners of wisdom, like black apes chattering vile nonsense. I
saw Thee in
these.
3. I saw the devouring mothers of Hell, that eat up their children O ye that are
without
understanding! I saw Thee in these.
4. I saw the merciless and the unmajestic like harpies tearing their foul food.
I saw Thee
in these.
5. I saw the burning ones, giants like volcanoes belching out the black vomit of
fire and
smoke in their fury. I saw Thee in these.
6. I saw the petty, the quarrelsome, the selfish, they were like men, O Lord,
they were
even like unto men. I saw Thee in these.
7. I saw the ravens of death, that flew with hoarse cries upon the carrion
earth. I saw Thee
in these.
8. I saw the lying spirits like frogs upon the earth, and upon the water, and
upon the
treacherous metal that corrodeth all things
and abideth not. I saw Thee in these.
9. I saw the obscene ones, bull-men linked in the abyss of putrefaction, that
gnawed each
other's tongues for pain. I saw Thee in
these.
10. I saw the Woman. O my God, I beheld the image thereof, even as a lovely
shape that
concealeth a black monkey, even as a figure that draweth with her hands small
images of men down into hell. I saw her from the head to the navel a woman, from
the navel to the feet of her a man. I saw
Thee even in her.
11. For mine was the keyword to the Closed Palace 418 and mine the reins of the
Chariot
of the Sphinxes, black and white. But I was not deceived by anything of all these
things.
12. For I expanded it by my subtlety into Twelve Rays of the Crown.
13. And these twelve rays were One.
III
A
The second
part of the methodology for withdrawing oneself from the whole sphere of the
Ruach is found in the extracting of ideas from the verses of chapter III and
then withdrawing the ideas in chapter IV to the “one beyond it.”
Word
of double power ABRAHADABRA. Sephiroth.
Adept becomes one with God.
0. Say thou that He God is one; God is the Everlasting One; nor hath He any Equal, or any Son, or any Companion. Nothing shall stand before His face.
0.
Also the little child, the lover of Adonai, even V.V.V.V.V., reflecting the
glory of Adonai, lifted
up
his voice and said:
In
AL:II.23 we hear Hadit saying: "I
am alone: there is no God where I am."
Indeed then, “Nothing” does “stand
before His face.” This is the
position Kether would be in, looking towards the Ain Soph Aur that is NOT.
Moving downwards in an involutionary path, at Tiphareth, that same One
finds the Many and the All; a plethora of Monads.
And indeed, any Monad finding him or herself to be the only god has
failed the ordeal of the Abyss and is now a Black Brother (not to be confused
with the Black School of Magick). Crowley’s
commentary to the above verse from AL adds to this:
This
refers to the spiritual experience of Identity.
When one realizes one's Truth there is no room for any other conception.
It also
means that the God-idea must go with other relics of the Fear born of Ignorance
into the limbo of savagery. I speak
of the Idea of God as generally understood, God being 'something "not
ourselves" that makes for righteousness,' as Matthew Arnold
victorianatically phrased his definition. The
whiskered wowser! Why this ingrained
conviction that self is unrighteous? It
is the heritage of the whip, the brand of the born slave.
Incidentally, we cannot allow people who believe in this 'God;' they are
troglodytes, as dangerous to society as any other thieves and murderers.
The Christians to the Lions!
Yet, in
the reign of Good Queen Victoria, Matthew Arnold was considered rather hot stuff
as an infidel! Tempora mutantur,
p.d.q. when a Magus gets on the job.
The
quintessence of this verse is (however) its revelation of the nature of Hadit as
a self-conscious and individual Being, although impersonal.
He is an ultimate independent, and unique element in Nature, impenetrably
aloof. The negative electron seems
to be his physical analogue. Each
such electron is indistinguishable from any other; yet each is determined
diversely by its relations with various positive complementary electrons.
The
verse is introduced at this juncture in order to throw light on the passage
which follows. It is important to
understand Hadit as the 'core of every star' when we come to consider the
character of those stars, his 'friends' or sympathetic ideas grouped about him,
who are 'hermits,' individualities eternally isolated in reality though they may
appear to be lost in their relations with external things.
1. Even for
five hundred and eleven times nightly for one and forty days did I cry aloud
unto the Lord the affirmation of His Unity.
1. Glory to God, and Thanksgiving to God!
There is One God alone, and God is exceeding great.
He is about us, and there is no strength
save in Him the exalted, the great.
The
numeration is expanded to 511 “nightly” and 41 “days” to “cry aloud
unto…” In the Hebrew Qabalah,
511 gives us the word for ‘Head’ and the Greek Qabalah gives us ‘the
rising of a star.’ And for 41 we
get ‘my God’ and ‘divine majesty’ in the Hebrew Qabalah with the Greek
Qabalah giving us the word for ‘up; on high’.
Here also, the
English
Qabalah gives us ‘Aum Ha’. However,
overall, the idea of “Unity” in the former
verse
suggests a plurality that needs to be united; especially due to the numbers
(greater than one) employed in the verse. In
the latter verse, this ‘all’ or ‘many’ becomes redacted to “One God
alone.”
2. Also did I
glorify His wisdom, whereby He made the worlds.
2.
Thus did V.V.V.V.V. become mad, and wend about naked.
The
difference between divine inspiration and madness is subtle but very real.
Inspiration radiates outwards towards others and sets up a shakti-pat
that continues through generations. Madness
drags the individual inwards and cuts him or her off from the rest of humanity.
3. Yea, I
praised Him for His intelligible essence, whereby the universe became light.
3.
And all these things fled away, for he understood them all, that they were but
as old rags upon
the Divine
Perfection.
That
essence of God is a dispersion of light shed throughout the Universe that is
then dissipated. This is the
expansion and contraction of the Universe that sits at the heart of the
revelation of the Rig Veda and the Poem of Dzyan.
We simply should not look at this in terms of linear time, but in its
polarity.
4. I did thank
Him for His manifold mercy; I did worship His magnificence and majesty.
4.
Also he pitied them all, that they were but reflections distorted.
All
that is majestic is still subject to decay and corruption; decay being that
putrefaction that is a stage in the Alchemical process to produce the Stone of
the Wise.
5. I trembled before His might.
5.
Also he smote them, lest they should bear rule over the just.
Power
corrupts and absolute power corrupts absolutely.
This is an interesting pun in regards to the previous comment.
The absolute might and majesty of the light that is God is that fire of
Spirit that can also burn and destroy. Yet
still when we find this fire in nature, a forest once destroyed ultimately
recovers with even greater vigor.
6. I delighted
in the Harmony and Beauty of His Essence.
6.
Also he harmonized them into one picture, beautiful to behold.
The
harmony of that essence that is the dispersed light is also congealed into the
one light much as Crowley’s ‘Star Sponge Vision’…one light with many
twinkles and what awe he found in those twinkles!
7. In His
Victory I pursued His enemies; yea I drave them down the steep; I thundered
after them into the utmost abyss; yea, therein I partook of the glory of my
Lord.
7.
And having thus conquered them, there was a certain glamour of holiness even in
the hollow
sphere
of outward brilliance.
The
greatest work and effort comes from the inmost contentment.
Always is the outer but a reflection of the inner.
8. His
Splendour shone upon me; I adored His adorable splendour.
8.
So that all became splendid.
This
splendor that belongs to the One is given to All in which case, it is no longer
splendid but commonplace and mundane.
9. I rested myself, admiring the Stability of Him, how the shaking of His Universe, the
dissolution of all things, should move Him
not.
9.
And having firmly stablished them in order and disposition,
All
that moves around the One finds the One in stillness; when All becomes still,
then the hierarchy is perceived up to the One.
10. Yea, verily, I the Lord Viceregent of His
Kingdom, I, Adonai, who speak unto my servant V.V.V.V.V. did rule and govern in
His place.
10.
He proclaimed the perfection, the bride, the delight of God in His creation.
The
influence that the inner has on the outer is a standard that sets its own par.
But then the outer also has the converse influence on the inner that if
the original par is wholesome, will bring delight in that balance reflected back
to the inner.
11. Yet also
did I formulate the word of double power in the Voice of the Master, even the
word 418.
11.
But though thus he worked, he tried ever his work by the Star 418.
813
would be the ThRShRQ of 418 if we add the Colel to 813 (813+1=814) and that
Colel is the One; as per AL:I.45—"The
Perfect and the Perfect are one Perfect and not two; nay, are none!"
Note
in Crowley’s ‘Old Comment’ to this verse talks of the same
‘annihilation’ that is the mark of the ‘Great Work” …
Perhaps
means that adding perfection to perfection results in unity and ultimately the
Negativity. But I think there is
much more than this.
12.
And all these things deceived me not, for I expanded them by my subtlety into
the Twelve Rays of the Crown.
12.
And it deceived him not; for by his subtlety he expanded it all into the Twelve
Rays of the
Crown.
That
the scribe would expand “all these things” as they did not deceive, so with
the subtlety of the One there is cunning to make them deceptive.
13. And these twelve rays were One.
IV
R
Star.
Test Works. Magick.
Adept in Action. Verse 4 cf.
AL __ It is the Truth (any Star)
that must not be pitied.
0. Also the little child, the lover of Adonai, even V.V.V.V.V., reflecting the glory of
Adonai, lifted up his voice and said:
1. Glory to God, and Thanksgiving to God! There is One God alone, and God is
exceeding great. He is about us, and there is no strength save in Him the exalted, the
great.
2. Thus did V.V.V.V.V. become mad, and wend about naked.
3. And all these things fled away, for he understood them all, that they were
but as old
rags upon the Divine Perfection.
4. Also he pitied them all, that they were but reflections distorted.
5. Also he smote them, lest they should bear rule over the just.
6. Also he harmonized them into one picture, beautiful to behold.
7. And having thus conquered them, there was a certain glamour of holiness even
in the
hollow sphere of outward brilliance.
8. So that all became splendid.
9. And having firmly stablished them in order and disposition,
10. He proclaimed the perfection, the bride, the delight of God in His creation.
11. But though thus he worked, he tried ever his work by the Star 418.
12. And it deceived him not; for by his subtlety he expanded it all into the
Twelve Rays
of the Crown.
13. And these twelve rays were One.
V
Y
The
third part of the methodology for withdrawing oneself from the whole sphere of
the Ruach is to dissolve these verses of chapter V into the Method itself as the
verses of chapter VI are then to appear in the Form appointed by the “Will of
the Adept.”
Sword.
All vanish. Adept harmonizing
himself.
0. In the
place of the cross the indivisible point which hath no points nor parts nor
magnitude. Nor indeed hath it position, being beyond space. Nor hath it
existence in time, for it is beyond Time. Nor hath it cause or effect, seeing
that its Universe is infinite every way, and partaketh not of these our
conceptions.
0. Deeper and deeper into the mire of
things! Farther and farther into the never-ending Expansion
of
the Abyss.
The
further we go within is the further out we will have found we’ve gone.
We can look deeply into the nature of the Universe itself and at the
farthest point we can go, there is yet that much further we find we can go and
where ultimately we will find ourselves; if we but ever get to that point.
Liber LXV, Cap. I shows more on this (Crowley’s comment to one of the
verses in italics):
54.
Then said Adonai: Thou hast the Head of the Hawk, and thy Phallus is the Phallus
of Asar. Thou knowest the white, and thou knowest the black, and thou knowest
that these are one. But why seekest thou the knowledge of their equivalence?
The
Angel asks why one who possesses absolute Sight and Lordship and power to soar
(the Head of the Hawk) who has creative energy able to fertilize Nature, his
mother, sister, and wife (The Phallus of Asar) one who knows the pairs of
opposites, and the fact of their identity, should trouble to calculate the
equations which express the relations between the illusory symbols of diversity.
55.
And he said: That my Work may be right.
56.
And Adonai said: The strong brown reaper swept his swathe and rejoiced. The wise
man counted his muscles, and pondered, and understood not, and was sad. Reap
thou, and rejoice!
And
yet the symbol of Sol (6) comes to mind;
the center of the Ruach…
1. So wrote
the
Exempt Adept, and the laughter of the Masters of the Temple abashed him not.
1. The great goddess that bendeth over the
Universe is my mistress; I am the winged globe at her
heart.
It is
I, HADIT who maketh the charm and that is for my betrothed, whom I adore.
Per AL:I.21 (Note Crowley’s comments in small point,) —
"With
the God & the Adorer I am nothing: they do not see me.
They are as upon the earth; I am Heaven, and there is no other God than
me, and my lord Hadit."
Nuit
further defined Her relation to Gods, Men, Heaven, Earth, and to Her Lord Hadit.
And
in the case of the present set of verses, these are Gods (Masters of the Temple)
but NUIT is availing herself to mankind.
Nuit
is not beheld of any God or Man; for they are fixed Event, they are Facts, while
She is the ever-to-be. She therefore is to be held worthy, she and that Self
which may enjoy her Love; seek not those joys which, being actual, cease to
exhale rapture…
Refers
to the actual picture on the stele. Nuit
is a conception immeasurably beyond all men have even thought of the Divine.
thus she is not the mere star-goddess, but a far higher thing, dimly
veiled by that unutterable glory. This knowledge is also to be attained by
adepts; the outer cannot reach to it.
The
importance of this verse lies in the assertion of the metaphysical entity of Our
Lady, Her incomprehensibility to normal sense.
The Method of invoking Nuit is given in
Liber XI (see Equinox I. VII). Note
the initials of God and Adorer GA, the Earth.
Note that Heaven is not a place where Gods
Live; Nuit is Heaven, itself. And
"Heaven" is of course "a place wherein one may fulfill
oneself", conformably to the definition of Nuit as Space previously
offered.
Per
Motta’s commentary to this verse (below), the verses coupled here in 813 are
the method of this trance.
Samadhi
with any God is not the Ultimate Trance. The
Ultimate Trance is the Union of Nuit and Hadit.
That is why over the head of Ra-Hoor-Khuit in the stele, Kundalini has
reached the Sahashara, and is radiating into Emptiness.
See Liber VII, I.36-40, Liber HHH, Section SSS, and Liber LXV, III.31-36.
2. Nor was he
ashamed, hearing the laughter of the little dogs of hell.
2.
I contract ever as she ever expandeth;
I am
the height and the depth; only it is I that choose.
But oh the laughter of Hell’s own worm, should I not attain Truth and
oh the laughter of Hell’s own worm that I do.
AL:II.63 says it best..
"Thou art exhaust in the voluptuous fullness of the inspiration; the expiration is sweeter than death, more rapid and laughterful than a caress of Hell's own worm."
Crowley’s
comment yet further informs us that to conquer death, one only has to die.
Each
breath, as He drew it in, was an orgasm; each breath, as it went out, was a new
dissolution into death.
Note
that throughout these books death is always spoken of as a definite experience,
a delightful event in one's career.
This
verse conceals a certain Magical Formula of the loftiest initiations.
It refers to a method of using the breath, in connexion with the
appropriate series of ideas, which is perhaps not to be taught directly.
But it may be learnt by those who have attained the necessary degree of
magical technique, suggested automatically to them by Nature Herself, just as
newly-hatched chickens pick up corn without instruction.
And
as Motta also instructs:
See
Liber HAD. “Hell’s own worm”
is, of course, Hadit.
3.
For he abode in his place, and his falsehood was truth in his place.
3. At the end it is all one.
Shakespeare
asked, “to be or not to be” and so does Ecclesiastes say: “turn, turn,
turn…to everything…” …ALL that is in me ONE.
4. The little
dogs cannot correct him, for they can do naught but bark.
4.
Our loves have brought to birth the Father and Creator of all things.
The
savage beast, civilized and elevated to godhood; a moaning lover taming her dog
and birthing the Magickal Childe.
5. The masters
cannot correct him, for they say: Come and see.
5.
He hath established the elements; the aether, the air, the water, the earth, and
the fire.
That
which is already perfect needs no correction; that which cannot be corrected is
ALL that is not NOT.
6.
He hath established the wandering stars in their courses.
The
master of inspiration can speak in ‘Class B’ as the Starry Gnosis infects
the soul. These seven planets make
one book. And all of Magick is a
product of first, these seven; a reflection of one in seven and seven in one.
7. Yea, even I
the man beheld this wonder.
7.
He hath ploughed with the seven stars of his Plough, that the Seven might move
indeed, yet
ever point to the unchanging One.
The
Universe is me and I am in the Universe; so
do I know that I have condensed these verses in accord with the fashioning of my
Will.
8. And I could
not deliver it unto myself.
8. He hath established the Eight Belts, wherewith he hath girdled the globes.
Nor
do I know the Ogdoad yet, of my own experience…still All loom about me.
So all the female goddesses were symbolized by snakes and all the male
deities by frogs; the latter crucified for a time in our age.
Still soon the male will rise again, despite the feminization of our
culture.
9. That which
established me is invisible and unknowable in its essence.
9.
He hath established the Trinity of Triads in all things, forcing fire into fire,
and ordering all
things in the Stable Abode of the Kings of Ǽgypt.
The
Pyramid Ritual is the key to the Starry Gnosis and its attendant immortality.
10. Only they
who know IT may be known.
10. He hath established His rule in His kingdom.
The
semblance of Light; that’s all I dare say, the rest I will know.
11. For they
have the genius of the mighty sword 418.
11. Yet the Father also boweth unto the Power of the Star 418 and thereby.
‘I
am a man among men.’
12. And they
are not deceived by any of these things; for by their subtlety do they expand
them all into the Twelve Rays of the Crown.
12. In his subtlety He expandeth it all into twelve rays of the Crown.
‘I
am the Truth, and in my Turban is wrapped nothing but God!’
13. And these twelve rays are One.
VI
T
Star.
Father bows to it. All
expand. Final formula.
0. Deeper and deeper into the mire of things! Farther and farther into the never-ending
Expansion of the Abyss.
1. The great goddess that bendeth over the Universe is my mistress; I am the
winged
globe at her heart.
2. I contract ever as she ever expandeth;
3. At the end it is all one.
4. Our loves have brought to birth the Father and Creator of all things.
5. He hath established the elements; the aether, the air, the water, the earth,
and the fire.
6. He hath established the wandering stars in their courses.
7. He hath ploughed with the seven stars of his Plough, that the Seven might
move
indeed, yet ever point to the unchanging
One.
8. He hath established the Eight Belts, wherewith he hath girdled the globes.
9. He hath established the Trinity of Triads in all things, forcing fire into
fire, and
ordering all things in the Stable Abode of
the Kings of Ǽgypt.
10. He hath established His rule in His kingdom.
11. Yet the Father also boweth unto the Power of the Star 418 and thereby.
12. In his subtlety He expandeth it all into twelve rays of the Crown.
13. And these twelve rays are One.
VII
A
The
ideas in each of these verses are dissolved, one into the next as a reversed
parable to that of the Golden Chain of Hermes or even the Poem of Dzyan and
until nought remains as if the whole of the parable of Liber Trigrammaton has
been reversed and Brahma sleeps no more.
Warrior
(slain). Subtlety which expanded.
All are controlled. Ultimate
dissolution.
0. Then in the might of the Lion did I formulate unto myself that holy and
formless fire,
, which
darteth and flasheth through the depths of the Universe.
1. At the touch of the Fire Qadosh the earth melted into a liquor clear as
water.
2. At the touch of the Fire Qadosh the water smoked into a lucid air.
3. At the touch of the Fire Qadosh the air ignited, and became Fire.
4. At the touch of the Fire Qadosh, O Lord, the Fire dissipated into Space.
5. At the touch of the Fire Qadosh, O Lord, the Space resolved itself into a
Profundity of
Mind.
6. At the touch of the Fire Qadosh the Mind of the Father was broken up into the
brilliance of our Lord the Sun.
7. At the touch of the Fire Qadosh the Brilliance of our Lord was absorbed in
the Naught
of our Lady of the Body of the Milk of the
Stars.
8. Then only was the Fire Qadosh extinguished, when the Enterer was driven back
from
the threshold,
9. And the Lord of Silence was established upon the Lotus flower.
10. Then was accomplished all that which was to be accomplished.
11. And All and One and Naught were slain in the slaying of the Warrior 418,
12. In the slaying of the subtlety that expanded all these things into then
Twelve Rays of
the Crown,
13. That returned unto One, and beyond One, even unto the vision of the Fool in
his folly
that chanted the word Ararita, and beyond the Word and the Fool; yea, beyond the
Word and the Fool.
[1]
813 is a number that reduces to 12; suggesting the Zodiac with the seven
chapters of this book suggesting the sacred planets.
[2]
570 is a channeled number that has been connected to the Alchemical phrase:
“Visita Interiora Terrae Rectificando Invenies Occultum Lapidem” by way
of the Latin numeration system. However,
though we can find a sympathetic equivalence between ARARITA and VITRIOL,
there is no Latin Qabalah and no duality to glean from these; so we should
look deeper. Turning to the
Greek Qabalah, we get the Greek words for: of the temple, which is worth
thinking about as you read Crowley’s comments to this holy book;
fornicator and seventy (spelled in full).
And then looking up words valuing to 70, we get the Greek words for
anyone or a certain one, which seems to directly bear on ARARITA, and also,
purity, which provides a balanced contrast (duality) to fornicator in the
570 valuation. And to add
meaning to this, 570 in the EQ is Greek, telling us to refer to the Greek
Qabalah.
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